Pab San
Music, manuscripts, tools, one trajectory.
From bass to the novels and music apps, this site follows the living thread of Pab San’s work.
A trajectory moving through the stage, studios, machines, and writing.
Pab San
From bass to the novels and music apps, this site follows the living thread of Pab San’s work.
A trajectory moving through the stage, studios, machines, and writing.
One worktable: sound, code, and manuscripts.
Stage, studio, tools, manuscripts, and sites now hold together here in one place.
Pab San has played bass for as long as he can remember. His ground is rehearsal rooms, sessions, arrangements, and projects moving from one world to another: wild rock, musical theatre, writing, tools, and online forms.
Alongside music, he studied mathematics and artificial intelligence, then worked as an R&D engineer for several major computer manufacturers, across AI development and large-scale computing infrastructure projects.
His websites, novels, and applications extend that same thread. They carry listening, a taste for living forms, sound work, writing, and that old curiosity for machines once they stop being mere gadgets and become material for creation.
The online work gathered here is limited to public tools and sites: two music apps and the ziklab.org hub.
Audio
Retune analyzes the real tuning of an audio file, shifts it to the target frequency, then exports the result cleanly.
Text, music, color
HarmoName turns text into musical, visual, and rhythmic material, like a small engine of correspondences.
Ecosystem
ziklab.org gives a wider view of prototypes, friendly sites, and artistic projects.
These three fictional ensembles are complete or stabilized in editorial work. Resonance now gathers its main arc into a single manuscript, still alive, temporarily available to professional readers while awaiting a publishing house.
A three-part reflective novel about listening, music, AI, private power, and what still resists through human bonds, traces, and transmitted gestures.
A near France learns to decide inside collective clarification rooms; the device’s gentleness gradually becomes a form of government.
A technician discovers that gravity can yield; body, state, responsibility, and fault shift with the possibility of lightening the world.
These texts are not presented as books published online. They are unpublished original manuscripts, still liable to evolve during editorial review, and currently seeking a publisher.
This area gathers what is still open: manuscripts in progress, applications to build, and prototypes to revisit.
Comment se tromper de combat, novel paths, and forms still taking shape.
An audio library to build: listening, ratings, comments, and linked media.
An audio-reactive WebGL visualizer driven by sound in real time.
This section is deliberately movable: it will host open work before it becomes a public project or a completed manuscript.
From one format to another, the same line keeps returning: listening, tools, forms, transmission, power.
The starting point remains bass, groove, listening, and the real presence between musicians.
Digital projects tied to music, from apps and sites to other forms online, extend the same attention to listening and the shaping of sound.
Sites, apps, and manuscripts extend the same need: to give a transmissible form to what is being sought in sound.
If one project speaks to you, the simplest thing is to enter through the right door.
Retune and HarmoName are the most direct tools if you want to try something right away.
ziklab.org gives a wider view of prototypes, friendly sites, and artistic projects.
The entry point for the novels is romans.pabsan.org: it opens a fictional universe where music, traces, collective decision-making, and even gravity become ways of questioning human bonds, power, and responsibility.
To talk about music, tools, manuscripts, or collaboration, the simplest thing is to write to [email protected].